Upconvert video to 4K resolution and other high-resolution formats. – Compares your backup to the original, verifying an exact copy. – Works with virtually every camera, card, and format. – Easy to use and makes sure your files are safe. Simple & reliable backup of your footage in the field. – Syncs audio and video with the touch of a single button.
– The most accurate A/V sync available for any NLE. Red Giant Shooter Suite is a set of tools that gives you the freedom to shoot the way you want, with the confidence that your footage will make it from your camera to the editing timeline safe, sound and in sync.Īudio/Video Sync in Seconds.
Pluraleyes 4 troubleshooting pro#
Setting the preset to a PAL rate and restarting Final Cut Pro should allow newly-imported audio files to conform to PAL timing.Title: Red Giant Shooter Suite 13.1.14 Winīring your footage from set to post with confidence. This issue can arise if you import audio files while the default sequence setting is an NTSC-related frame rate (such as 29.97, 59.94 and 23.98). The audio should now stay in tight sync respective to the video in the Timeline. Open Final Cut Pro and your project again, and re-import the audio file(s). If this occurs, try the following steps to resolve the issue:ĭelete the audio file(s) from your sequence in the Timeline and also from the Browser.Ĭhoose a frame rate (usually 25.00 fps) from the Rate pop-up menu, and a media format that matches your source video from the Use pop-up menu.Ĭhoose Final Cut Pro > Quit Final Cut Pro. Imported audio-only files in a sequence with PAL video may drift out of sync in some cases. NOTE: Once you have a setting you like, turn it into a Compressor droplet which automates the entire audio transcoding workflow. In the next dialog, click Submit and your file is sent off to be converted. Converting audio files is VERY fast, so even if you have a lot of MP3 files to convert, you won’t be wasting a lot of time. Then, click Submit in the lower-right corner.ġ1. In the task bar at the top, make sure the Destination (middle column) is set and you’ve given the compressed file a name (right column). Change the Sample rate popup menu to 48000.ġ0. If it is Stereo, set Channel layout to Stereo.ĩ. If the clip is mono, set the Channel layout to Mono. If the automatic sensor button is dark, as it is here, click it to turn it off.Ĩ.
Click the Encoder button at the top of the Inspector.ħ. If the sample rate is correct, go to Step 10. This is the default setting for recording audio with video. Look in the Inspector and make SURE the sample rate is set to 48.000 kHz. Drag the AIFF File setting on top of the task that contains your audio file in the top window.ĥ. Click the Settings tab, twirl down the Apple folder, twirl down Audio Formats and look for the AIFF File setting.Ĥ. Click Add File in the top left corner and import the MP3 file(s) you want to convert.ģ. (I’m using Compressor 4 for this example, but the process is the same using Compressor 3.x.)Ģ.
Pluraleyes 4 troubleshooting how to#
Here’s how to convert your MP3, or any other audio format, to AIF using Compressor. NOTE: Soundtrack Pro just hates editing MP3 audio – transcoding (or conversion) is almost mandatory. And the good news is that this conversion process is very fast and can be automated. This won’t improve the quality, but it will simplify your editing. I strongly recommend converting (or transcoding) any MP3 files that you need to edit into AIF before you start editing. MP3 is extremely compressed and often difficult to edit. Take a look at the two comments at the end of this article for more information:īut in the cases this week, the audio sync problem was caused by trying to edit an MP3 audio file. However, there are also problems with ProRes HQ and how it handles audio sync. Sync drift is generally caused by audio sample rates that don’t properly match the audio settings in the sequence. These complaints cover Final Cut Pro X, Final Cut Pro 7, and Compressor. Recently, I received a number of emails from folks with problems with audio that slowly drifts out of sync.
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